I will stay in Mosambique April and May 2020 for an new project.
Feel free to contact me.
Soirée graphique N°9: Norden
invitation and Publication made for the ninth Soirée graphique. 59 photographers and graphic designers from Denmark, Sweden, Norway, Finland, Iceland and Switzerland got together for an artistic exchange. The Soirée graphique encourages the dialogue between photography and graphic design. 28 photographers each present one piece of work, 31 graphic designers each deliver an interpretation of one of the photographs. In the exhibition all the related artworks are presented next to each other for the first time in public.
Pose und Postiionierung, Station 21, Art Space Zürich, 22.3.14-26.4.14
Die gezeigten Künstlerinnen hinterfragen in ihren Arbeiten ihre eigene Identität, gelebt oder zugewiesen, wir wollen wissen: Wo zeigen sie (und wir) der Welt reine Posen und wie oder wo findet darüber hinaus tatsächlich Positiionierung statt. Mit Celia Bachmann, Sarah Christen, Stéphanie Marie Couson, Sissi Farassat, Elske Rosenfeld und Francisca Silva.
Transformationen
Eine Ausstellung in der Galerie 16 b mit Stéphanie Marie Couson, Adrian Humbel und Roland Soldi.
25.7.14-22.8.14, Ausstellungsstrasse 16b, 8005 Zürich
La Realta non e un luogo commune / Reality Is Not a Common place
Photographs and Videos from the Julius Baer Art Collection, Museo Cantonale d'Arte, Lugano, 11.05. - 18.08.2013. It is by starting out from the specific nature of these two media that this exhibition, which investigates the complex and fascinating theme of the relationship between image and reality, was conceived.
Curateur / curator : Elio Schenini
Hitzearchitektur, Lernen von der afrikanischen Moderne.
Publication: Annika Seifert, Gunter Klix: Hitzearchitektur, Lernen von der afrikanischen Moderne.
gta Verlag, Zürich. Fotografien Fallstudien: Benedikt Redman, Stéphanie Marie Couson
Grösser als Zürich, Kunst in Aussersihl 2012
Helmhaus Zürich
24. Februar – 22. April 2012
GRÖSSER ALS ZÜRICH Kunst in Aussersihl
Zürich-Aussersihl ist das kreative Zentrum der Stadt: Wer Kunst macht, wer sich dafür interessiert, kommt am Kreis 4 kaum vorbei. Das Helmhaus Zürich widmet dieser auf kleinstem Raum konzentrierten Kreativität eine grosse Ausstellung und ein reiches Veranstaltungsprogramm mit über 300 beteiligten Künstlerinnen und Künstlern. Gleichzeitig erscheint im Verlag Scheidegger & Spiess das Buch «Grösser als Zürich Ein kleines Psychogramm des Zürcher Stadtquartiers Aussersihl».
Silvio R. Baviera, Michael Hiltbrunner und Guido Magnaguagno, Kuratoren von Ausstellung und Veranstaltungsprogramm; Simon Maurer, Helmhaus Zürich, Leitung
Daegu Photo Biennale, Korea, 2.9-28.10, The Youth Code! Curator Nathalie Herschdorfer
The exhibition will not present a generic portrait of adolescence but rather brings together work done by photographers dealing with a variety of issues related to pre-adults. How does this age group keep distance with adults? What are their archetypes and what is the youth code? The exhibition will present artists whose works explore the individuality versus the group; the interaction between generations; the conflict between the search for authenticity and norms of behaviour; the emergence of a new body, etc. The exhibition will also present pictures made by tia age group: pre-adults upload photographs to the Internet. Hovering in virtual space, these pictures are there for all to see. Adolescents have embraced the virtual world as a new and immediate way of communicating with their peers and the world at large. Teenagers’ snapshots have entered the historical theater of images. Popularity of these amateur snapshots resides in their strong emotional clout and their presumed authenticity. Their pictures – ranging from portraits, self-portraits and nude studies to documentary, fashion, and pornographic images – break down old categories. Today teenage culture, based on a new use of digital imagery, is an electronic culture in a number of ways. It places people at the heart of the creative act, rendering technology subordinate. It is egalitarian, and is simultaneously individualistic and collective, and reflects on desires and anxieties, suffering and joy, doubts and vanity, intimate and public images.